Showing posts with label William Bell Gadsden. Show all posts
Showing posts with label William Bell Gadsden. Show all posts

Friday, January 17, 2020

Costume in Natal: Sydney Bartle Gadsden





Sydney Bartle Gadsden (1880-1953), my grandfather, was the son of Thomas Alfred
Gadsden and Eliza Ann Bell (daughter of Capt William Bell, Port Captain of
Natal). Born in Durban, Sydney Bartle married Maud Alice Swires and they had one son,  my father William Bell Gadsden. Sydney Bartle was a marine engineer and Works Manager of the company James Brown (later James Brown and Hamer).



Thursday, January 16, 2020

Costume in Natal: Maud Alice Gadsden nee Swires



A delightful portrait of my grandmother Maud Alice Gadsden nee Swires b 18 April 1890 with her only child, my father, William Bell Gadsden, b 29 June 1910, seen here aged about 6 months.

The daughter of Alice Mary nee King and James Dudley Swires, Maud married Sydney Bartle Gadsden, son of Thomas Alfred Gadsden and Eliza Ann nee Bell (daughter of Port Captain William Bell).

Both Maud and William's outfits are lavishly trimmed with the hand-embroidered broderie anglaise much in vogue at the time. Maud's hair achieves the high bouffant style through use of net and wire pads worn underneath.

Unfortunately, the photographer who took this cabinet photo remains unknown as the print at some stage (before my time, I hasten to add) became separated from its cardboard mount.




Saturday, April 6, 2013

Souvenir Saturday: Maud Alice Gadsden nee Swires


A delightful portrait of my grandmother Maud Alice Gadsden nee Swires b 18 April 1890 with her only child, my father, William Bell Gadsden, b 29 June 1910, seen here aged about 6 months.

The daughter of Alice Mary nee King and James Dudley Swires, Maud married Sydney Bartle Gadsden, son of Thomas Alfred Gadsden and Eliza Ann nee Bell (daughter of Port Captain William Bell).

Both Maud and William's outfits are lavishly trimmed with the hand-embroidered broderie anglaise much in vogue at the time. Maud's hair achieves the high bouffant style through use of net and wire pads worn underneath.

Unfortunately, the photographer who took this cabinet photo remains unknown as the print at some stage (before my time, I hasten to add) became separated from its cardboard mount.